Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

About Us
email

90,680 paintings total now
Toll Free: 1-877-240-4507

  

Bierstadt.org, welcome & enjoy!
Albert Bierstadt.org
 

REMBRANDT Harmenszoon van Rijn
A Man Sharpening a Quill

ID: 34581

REMBRANDT Harmenszoon van Rijn A Man Sharpening a Quill
Go Back!



REMBRANDT Harmenszoon van Rijn A Man Sharpening a Quill


Go Back!


 

REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.   Related Paintings of REMBRANDT Harmenszoon van Rijn :. | Portrait of Rembrandt-s Father | Woman at an open Door (mk33) | Flora | Christ and the Woman Taken in Adultery | Saint Bartholomew |
Related Artists:
BECCARUZZI, Francesco
Italian painter, Treviso school (b. ca. 1492, Conegliano, d. before 1563, Treviso) Francesco Beccaruzzi (c. 1492 - 1562) was an Italian painter of the Renaissance era, active near his hometown of Conegliano and in the neighborhood of Treviso. He was influenced by both Il Pordenone and later Titian. He painted Saint Francis receiving stigmata (1545) from Conegliano, but now in the Accademia in Venice.
Max Pechstein
German Expressionist Painter, 1881-1955,German painter and printmaker. He was apprenticed as a decorator in Zwickau from 1896 to 1900, when he moved to Dresden to enrol at the Kunstgewerbeschule, where he met the architect Wilhelm Kreis and the painter Otto Gussmann (1869-1926) and obtained decorative commissions. He continued his studies from 1902 until 1906 as Gussmann's pupil at the Dresden Kunstakademie. Through Kreis, Pechstein was introduced to Erich Heckel in 1906 and was invited by him to join DIE BRECKE, a group founded in the previous year that was quickly to become a major force in the rise of German Expressionism.
Julius Kronberg
1850-1921,Swedish painter and illustrator. He was educated at the Konstakademi in Stockholm, where his teachers were J. C. Boklund (1817-80), August Malmstr?m and Johan Fredrik H?ckert. In 1873 he travelled on a scholarship to D?sseldorf, and in the following year he went to Munich. There he was strongly influenced by the Old Masters (especially Rubens), as well as Hans Makart robustly theatrical style. Together they shaped Kronberg early works, for example Hunting Nymph and Fauns (1875; Stockholm, Nmus.), which caused a sensation when it was exhibited in Stockholm in 1876 and established his reputation. Kronberg left Munich in 1877 and settled in Rome, where, between trips to Egypt and Tunisia, he stayed until 1889, when he returned to Stockholm. During his years in Rome his style became increasingly austere. His exuberant Munich manner was replaced by a colder illusionism, which emphasized the historical details of subjects taken from the Bible and Shakespeare. Typical is David and Saul (1885; Stockholm, Nmus.), which reflected his study of Lawrence Alma-Tadema.






Albert Bierstadt
All the Albert Bierstadt's Oil Paintings




Supported by oil paintings and picture frames 



Copyright Reserved